The search for traces of Dowland in Europe is getting more and more exciting, especially now that there are possible connections with Joachim Van den Hove and many more. You will also receive some more information about the new annotated edition of all the lute works that Phalèse published and you will receive five pages of music for free to play yourself. Finally, the written record of the lecture that Christine Ballman gave on the lute day of 2021.
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Concert of Italian and French 16th century lute music, Saturday 29 October at 8 p.m.
Continue reading “Concert and Master Class by Hopkinson Smith in Aix-en-Provence”
Three-day course open to players of all levels from 30th October to1st November 2022.
From Christine Ballman we already only received pictures of the past Belgian Luitdag 2022, which could count on a lot of interest.
Continue reading “Some pictures of our Belgian Luteday 2022”
In case this is of interest to Belgian Lute Academy members, Lynda Sayce has published a small collection of 20 baroque songs with really easy continuo parts (in figured bass), with an introduction to playing from the figured bass.
Continue reading “Baroque songs with easy continuo accompaniments – Lynda Sayce”
Our annual lute day will take place on Sunday, October 16. Traditionally, this takes place at the Music Academy of Woluwe-St-Lambert, Tweelindenstraat 2a, 1200 Brussels.
Continue reading “Luteday 2022”
On Sunday 9 October Lithuanian lute player Ieva Baltmiskyte will give a concert followed by a lecture by Dr. Paul Huvenne. Contact: firstname.lastname@example.org
ZEFIRO TORNA kleurt de herfst met muzikale raadsels, zinnenprikkelende kruiden en een splinternieuwe beklijvende muziektheaterproductie.
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This unique publication brings together the complete lute works published by the Louvain publisher Pierre Phalèse. The collection has an introduction and extensive critical commentary on individual pieces by Jan W.J. Burgers.
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Cantus Planus (plainchant) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony.
Continue reading “Cantus Planus’ (excerpt) from SUSURRUS I (for 13-course baroque lute and guitar”
The German Lute Society (DLG), in collaboration with the Schola Cantorum Basiliensis/FHNW, is pleased to announce the BASEL LUTE DAYS, which will take place from September 14th – 18th, 2022 on the Campus of the Basel Music Academy.
>> To the programm …